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Marcel Breuer, 79, a awe-inspiring amount amid avant-garde architects and designers, died Wednesday at his home in New York City. He had a affection ailment.
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Mr. Breuer was admired not alone as an artist and admired as a teacher, but admired as the ancestor of avant-garde appliance design.
As an architect, he was amenable for some of the best important barrio above the United States. As a teacher, his access has been alike added widespread. Some 200 of the country’s best important architects were amid his students.
But all of his above innovations in appliance architectonics came to him afore he was in his mid-30s.
By his own account, his above advance in appliance design, the use of tubular steel, came to him one day while benumbed his aboriginal bicycle. He noticed how the tubular animate was angled to accomplish the handlebars.
From this ascertainment came his acclaimed 1925 “Wassily” chromed tubular animate and continued covering bung armchair and the 1927 “Cesca” cantilevered steel-and-cane chair. The “Cesca” armchair in reproductions has become the best accustomed armchair of the 20th century, as accepted in breakfast accommodation as the Thonet armchair was in 19th aeon cafes. Mr. Breuer’s tubular animate appliance acutely additionally was afflicted by the Thonet bentwood chairs, which were fabricated in Vienna, Austria, area he briefly studied.
Museum of Avant-garde Art architectonics babysitter Stewart Johnson and historian Chistopher Wilk accept been alive with Mr. Breuer for three years on an exhibition of his appliance to accessible at the architectonics on July 25.
“He had rather allocution about his latest architectonics than his appliance of 56 odd years ago,” said Wilk.
Although Mr. Breuer ability not accept agreed, Johnson said he believes Mr. Breuer will be bigger remembered for his appliance designs than for his architecture.
“The two were not of the aforementioned adjustment of importance,” Johnson said. “Architects had advised avant-garde barrio afore Breuer — his architectonics was in the capital stream. But Breuer advised the actual aboriginal avant-garde furniture. Afore him, there was no absolutely avant-garde autogenous design. Early 20th aeon architects had to accomplish do with Thonet bentwood.
“His abstraction of tubular animate became accepted amid added desingers instantly, and the abstraction advance like wildfire. Afore long, everybody — Mies van der Rohe, Mart Stam and Le Corbusier — were all accomplishing animate furniture.
“The air-conditioned austerity, the glassy beam of metal, was absolutely what had been bare to accompany the modernist interiors to life. Had he able annihilation above that aboriginal tubular animate chair, his arresting accent would abide for his eyes of . . . the apparatus for sitting in, the armchair with the handlebars.”
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Mr. Breuer afterwards advised agent plywood and laminated copse furniture, some of which may be accumulation produced.
Peter Blake, arch of the Catholic University architectonics administration and a acquaintance of Mr. Breuer, wrote a book of interviews with him. Blake already wrote that somebody, eventually or later, would accept invented appliance of connected tubes of chromium-plated steel, and “translated the American traditions of copse and bean architectonics into an absolute avant-garde idiom, or fabricated modular, caked accurate into a architectonics assemblage as adjustable as brick. But the actuality is that Breuer was absolutely the aboriginal one to do it, and that his prototypes accept been generally affected but rarely bigger aloft over the decades.”
Mr. Breuer was built-in on May 21, 1902, in Pecs, Hungary. Afterwards belief there in Vienna, he went to the Bauhaus architectonics academy in Weimar, Germany. The school, which the was beneath the administration of Walter Gropius, is accustomed with developing the all-embracing appearance in architecture, which has bedeviled architectonics for the accomplished half-century. Afterwards belief architectonics from 1920 to 1924, Mr. Breuer became the adept of the Bauhaus carpentry shop. He was alone 23 back he got his abundant abstraction about tubular furniture.
Mr. Breuer was the aftermost of the abundant Bauhaus architects who immigrated to the United States during the Nazi era in Germany. He came to the United States in 1937 at the allurement of Gropius, by again a assistant at the Harvard University Alum Academy of Design.
Mr. Breuer additionally abutting the Harvard faculty. In the nine years that he was an assocaite assistant there, he accomplished acceptance who accept become amid the best important architects of the mid-20th century.
His best acknowledged apprentice was Philip Johnson. Johnson’s writings about what he alleged the All-embracing Appearance alien Mr. Breuer, Mies van der Rohe and Gropius to America. Back Johnson, already able-bodied accepted as an architectonics critic, babysitter and historian, absitively in his mid-30s to become an architect, he chose Mr. Breuer and Harvard as his abecedary and school.
Like Mr. Breuer, Johnson and addition Breuer student, I. M. Pei, won gold meadals, the American Institute of Architects accomplished commendation. (Among added honors, Mr. Breuer afterwards won the French architectonics gold medal.) The Harvard assistant additionally accomplished Edward Larrabee Barnes, Ulrich Franzen and Paul Rudolph, all of them amid the best accepted of today’s architects.
Peter Blake said aftermost night that Mr. Breuer’s “English was consistently terrible, but he announced through his personality, his amore and his talent. He was the abundant architectonics teacher. He produced an astronomic array of architects through his amore and clarity, who again went off in their own directions.
“Everybody was consistently crazy about him. He was a abhorrent chess player, but all of us consistently let him exhausted us because he enjoyed acceptable so much. It’s funny, he was not an bookish array of person, he was absolutely array of a peasant, but his assignment was sophisticated. I anticipate he is already actuality rediscovered.”
In 1946, Mr. Breuer larboard Harvard to set up his own architectonics appointment in New York City. “He didn’t accept any work,” said his associate, Herbert Beckhard, “so I formed chargeless for him for six months, until he got a commission. It was absolutely cheaper for me than alum academy and a abundant accord added rewarding.”
Mr. Breuer’s added associates, who still convenance beneath the name of Marcel Breuer Associates, are Robert F. Gatje, Hamilton P. Smith and Tician Papachristou.
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“He didn’t assert that we consistently do things his way,” said Beckhard. “He didn’t asphyxiate you, he opened avenues. Alike afterwards he retired in 1976, I would booty assignment to his abode or apartment. He wouldn’t say much, but he would accomplish a point or two. I bethink him best in his lumberjack shirt and chino pants as we formed in his country abode in Wellfleet, Mass.”
Among Mr. Breuer’s best acclaimed barrio are the UNESCO address in Paris, the Whitney Architectonics of American Art in New York, barrio at Vassar College in Poughkeepsie, N.Y., and the University of Massachusetts in Amherst, and St. John’s Abbey Church in Collegeville, Minn.
In Washington, he advised the Administration of Housing and Urban Development, the Hubert Humphrey Architectonics of the Administration of Health and Animal Services, both aural appearance of the Capitol, and the American Press Institute in Reston. His architectonics for a Franklin Delano Roosevelt canonizing was angry down.
In afterwards years, best of his barrio were big bartering structures. But like best architects, he advised houses beforehand in his American career. His houses were abundantly afflicted by American bounded architecture. He admired the bond of wood, stone, bottle and steel. He planned what he alleged bi-nuclear houses, which gave accouchement and adults abstracted spaces. His 1949 split-level “butterfly” abode congenital in the Architectonics of Avant-garde Art garden was influential.
At a appointment at the Architectonics of Avant-garde Art in February 1948, Mr. Breuer fabricated the point that you couldn’t calculation on redwood, imperfections and blunder to accomplish architectonics human. And he said you couldn’t accomplish a architectonics animal by “camouflaging architectonics with planting, with nature, with adventurous subsidies.”
“On the added hand, he said, if the All-embracing Appearance meant alone mechanistic and impersonal, adamant forms, again bottomward with it. He alleged the name an black one — aloof an black as “fuctionalism.” While in Washington to address the Humphrey architectonics he said, “I never alleged my architectonics All-embracing Style. I accept never capital to be a trend.”
What he did like was allegory elements of attributes and man acclimated at the aforementioned time, as he said, to accompany beatitude — “the crystallic affection of an unbroken, white collapsed slab . . . in adverse to the rough, ‘texture-y’ affection of accustomed copse or burst bean . . . the awareness of counterfeit space, geometry and architectonics . . . in adverse to amoebic forms of attributes and man. ‘Sol y sombra,’ as the Spanish say: sun and shadow, not sun or shadow.”
Since his illness, Mr. Breuer had advised tapestries that were fabricated in France and acclimated in some of his buildings, including the Humphrey architectonics and the API here. Earlier, he additionally advised awe-inspiring pieces of architectural sculpture.
Mr. Breuer’s alliance to the above Martha Erps concluded in divorce.
His survivors accommodate his wife, Constance Crocker Leighton, whom he affiliated in 1940, of New York City and Wellfleet, a son, Tomas Breuer, additionally of New York, and a daughter, Francesca Burnes of Flaine, France.
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